morgana lefay metallum

There are several haunting guitar melodies that only a band from Sweden could write. The earth bore no root, the power of which was not as familiar to her as the back of my hand is to me. "Morgan le Fay: Goddess or Witch?". [28] Hartmann also separated Arthur's sister (that is Feimurgn) from the fairy mistress of the lord of Avalon (Chrtien's Guigomar), who in his version is named Marguel. The style was pretty much classic heavy metal with shades of both thrash and doom the latter not a surprise having in mind that the band come from Candlemass homeland. ), Middle English writer Thomas Malory follows the portrayals of Morgan from the Old French prose cycles in his late-15th-century seminal work of the selective compilation book Le Morte d'Arthur (The Death of Arthur), though he reduces her in role and detail of characterisation, in particular either removing or limiting her traditions of healing and prophecy, and making her more consistently and inherently evil just as he makes Merlin more good. However, everything changes when Morgan is caught in an affair with her lover Guiomar (derived from Chrtien's Guigomar) by Guinevere, who intervenes to break their relationship to prevent the loss of honour (and possibly because of Guinevere's perception of Morgan, with her kinship and close relationship with Arthur, as a rival in political power[69]). Ulrich's unnamed fairy queen character might be also related to Geoffrey's Morgen,[18] as well as to the early Breton oral tradition of Morgan's figure, especially as her son there is named Mabuz, similar to the name of Modron's son Mabon ap Modron. [32] Morgen is also said to be a learned mathematician[33] and to have taught it and astronomy[34] to her fellow nymph (nymphae)[28] sisters, whose names are listed as Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten and Thiton.[35]. Well this time, they managed to surpass anything that they've done before with "Only Endless Time Remains." Morgan le Fay (alternatively known as Morgan le Faye, Morgane, Morgaine, Morgana and other names), is a powerful sorceress and a treacherous foe in the Arthurian legends. [13][29] In the Vulgate Lancelot, Morgan learns all her magic only from Merlin (and not in the nunnery). When she wishes, she is now at Brest (Brisiti), now at Chartres (Carnoti), now at Pavia (Papie); and at will she glides down from the sky onto your shores. Arthur, gravely wounded, sought the help of his sister, who held the holy Isle of Avalon. Morgana le Fay is the main antagonist of Disney's 2010 live action fantasy adventure movie The Sorcerer's Apprentice. In the Post-Vulgate, where Morgan's explicitly evil nature is stated and accented, she also works to destroy Arthur's rule and end his life, but the reasons for her initial hatred of him are never fully explained other than just an extreme antipathy towards the perfect goodness which he symbolises. Deviant for 18 years. A chiefly Greek construction is a relatively new origin theory by Carolyne Larrington. [140][141] References linking Avalon to Sicily can be found in Otia Imperialia (c. 1211) and La faula, as well as in Breton and Provenal literature, for example in the aforementioned Jaufre and La Bataille Loquifer. [40][116] Variants of Ogier's and Huon's stories typically involve Morgan, Arthur, and Oberon (Auberon) all living in a fairyland where time passes much slower than in human world. This album is considered as magnum opus of Morgana Lefay. The structure of the song is absolutely killer, the beginning builds up to the amazing chorus perfectly and some sections enter quite surprisingly. Sorrow Calls is a short peaceful ballad provided as the pacifier after the wall of rage that was the preceding number, and Where Insanity Rules is a more orthodox power/thrash piece with nice semi-technical accumulations and another unmitigated application of grooves. !I'm burning - in fire So hard to stand against the flames Deception - who told them About the magic I possess? Romance authors of the late 12th century establish her as Arthur's supernatural elder sister. We therefore happily commited the king to her care, and spred our sails to favourable winds on return journey. [18] Guingamor's own lai by Marie de France links him to the beautiful magical entity known only as the "fairy mistress",[42] who was later identified by Thomas Chestre's Sir Launfal as Dame Tryamour, the daughter of the King of the Celtic Otherworld who shares many characteristics with Chrtien's Morgan. Her magic aside, Lancelot is always disempowered in his dealings with Morgan as he could never hurt a woman or fight a kin of his king, which allows the writers to make her a perfect foil for Lancelot as "the woman he most feared in the world. [33] In the Val sans Retour, Lancelot frees the 250 unfaithful knights entrapped by Morgan, including Morgan's own son Yvain and her former lover Guiomar whom she has turned to stone for his infidelity. The pregnant Morgan later gives birth to Guiomar's son, who is not named in the story but is said to grow up to become a great knight. They may also introduce her additional offspring or alternate siblings, or connect her closer with the figure of the Lady of the Lake. Some of these are original new episodes, such as the Cantari di Tristano group's Cantare di Astore e Morgana, in which Morgana heals Hector de Maris (Astore) and gives an armour made in Hell as well as a magical ship, and the Cantari del Falso Scudo that features her fairy son, the Knight with the Enchanted Shield; the Ponzela Gaia is another telling of the familiar story of Morgana's fairy daughter. [143], During the Italian Renaissance, Morgan has been primarily featured in relation to the cycle of epic poems of Orlando (based on Roland of the historical Charlemagne). The island of Avalon is often described as an otherworldly place ruled by Morgan in other later texts from all over Western Europe, especially these written in Iberia. In the German version of Erec, the 12th-century knight and poet Hartmann von Aue has Erec healed by Guinevere with a special plaster that was given to Arthur by the king's sister, the goddess (gotinne)[28] Feimurgn (Fmurgn, Fairy Murgan[49]): When she began to demonstrate her magic powers, she had very soon circumnavigated the world and come back again. "Thoroughly Modern Morgan: Morgan le Fey in Twentieth-Century Popular Arthuriana". [29] Morgan retains this role as Arthur's otherworldly healer in much of later tradition. [8][17] Morgan the Wise is female in Chrtien's original, as well as in the Norse version Ivens saga, but male in the English Ywain and Gawain. Co-produced/engineered/mixed by Morgana Lefay. Namnet Morgana Lefay togs 1989. Their one-sided relationship (as well as interactions between her and Arthur[13]) may evoke that of the goddess Morrgan and the Celtic hero C Chulainn. This episode affirms her early role as a healer, in addition to being one of the first instances of Morgan presented as Arthur's sister; healing is Morgan's chief ability, but Chrtien also hints at her potential to harm. The abrupt way in which she is used suggests Benot did expect his aristocratic audience to have been already familiar with her character. [40][73], Morgan also uses her skills in dealing with various of Arthur's Knights of the Round Table, especially the greatest of them all, Lancelot, whom she alternately tries to seduce and to expose as Guinevere's adulterous lover. She is associated with fate and known as a goddess of war and death, but also fertility and numerous other things. She was totally indifferent as to whether she lived in the fire or, just as much at her ease, in the dew. [145] In Ludovico Ariosto's continuation of this tale, Orlando Furioso (1532), Morgana (also identified as Morgan Le Fay) is revealed as a twin sister of two other sorceresses, the good Logistilla and the evil Alcina; the latter appears after Orlando again defeats Morgana, rescuing Ziliante who has been turned into a dragon, and forces Morgana to swear by her lord Demogorgon to abandon her plots. Morgana le Fay (or sometimes just Morgana) is the main antagonist in the 1981 live action fantasy film, Excalibur . [29] Morgan's other allies in the Prophties include the opponents of chivalry such as Mark and Claudas, and she enlists the help of the latter in her failed attempt to eliminate the Lady of the Lake. This last instalment was by no means a flop, and definitely deserved a dignified sequel, but the band fell into another creative hiatus which lasts until the present day. She becomes an apprentice of Merlin, and a capricious and vindictive adversary of some knights of the Round Table, all the while harbouring a special hatred for Arthur's wife Guinevere. She who is first among them is more skilled in the healing art, and also surpasses her sisters in beauty. And Grand Materia is the ultimate proof of what the Swedes are capable of. Morgana le Fay is a legendary baneful sorceress and the ultimate villain of the 2010 Disney fantasy adventure film The Sorcerer's Apprentice . Morgan's importance to this particular narrative has been disputed and called a deus ex machina[103] and simply an artistic device to further connect Gawain's episode to the Arthurian legend, but some regard her as a central character and the driving force of the plot. Depending on the manuscript, she is either the leading lady (usually, being recognised by Griflet as the one holding Arthur's hand as he enters the boat), a subordinate to another who is unnamed, or neither of them are superior. Such stories being told by wandering storytellers (as credited by Gerald of Wales) would then influence various authors writing independently from each other, especially since Vita Merlini was a relatively little-known text. There, she abducts her favourites until she is thwarted by Orlando who defeats, chases and captures Morgana, destroying her underwater prison and letting her keep only one of her forced lovers, a knight named Ziliante. "[78] Her many paramours include Huneson the Bald (Hemison in Malory's version), who is mortally wounded when he attacks Tristan out of his jealously for Morgan's attention; he soon dies after returning to her, and the anguished Morgan buries him in a grand tomb. She knows, too, the art by which to change her shape, and to fly through the air, like Daedalus, on strange wings. She then herself is imprisoned in a magical torment in her mother's glass-and-diamond magical castle Pela-Orso, because of how Morgana wanted to force her to marry Tristan. Learn how and when to remove this template message, "Morgana Lefay New Album Title Song Titles Clips Available", https://en.wikipedia.org/w/index.php?title=Morgana_Lefay&oldid=1100210615, Peter Grehn guitars, backing vocals (1998present), Fredrik Lundberg bass, backing vocals (2003present), Pelle kerlind drums, backing vocals (2006present), Micke sentorp bass [The "Lefay" years] (19972003), This page was last edited on 24 July 2022, at 19:14. [125] Another Spanish work, Francisco de Enciso Zrate's Florambel de Lucea (1532), features a later appearance of Arthur together with his sister Morgaina, "better known as Morgana the fairy" (fada Morgana), who explains how she saved her brother and gifts Excalibur (Escaliber) to the eponymous hero Florambel. Morgana Lefay had to fight with initial difficulties and moved slowly into gear. 56 2007 In her own tale, Morgana's daughter defeats Gawain (Galvano) in her giant serpent form before becoming his lover; she and her fairy army then save Gawain from the jealous Guinevere, who wants Gawain dead after having been spurned by him. It also features the medieval motif where uses a magic horn to convince Arthur of the infidelity of his queen (Geneura), here successfully. That action of Morgan ultimately causes the death of Arthur, who would otherwise be protected by the scabbard's magic in his final battle. All songs written by Morgana Lefay, except "Nemesis" written by Thomas Persson. [57] Notably, it is one of the first known texts that made her a sister to Arthur, as she is in the works of Chrtien and many others after him. Lead vocalist Charles Rytknen showed his capabilities. Best viewed without Internet Explorer, in 1280 x 960 resolution or higher. Without sounding like an exact copy, the band seems to have shifted to a Nevermore-sound, the song is mid-tempo and slightly more modern than what the band has been up to thus far, but there is still plenty of melody to enjoy. Nevertheless, she remains a medieval symbol of the potential danger of uncontrolled female power. [110] Spanish public edicts dating from the end of the 14th and the beginning of the 15th century tell of the belief in Morgane continuing to enchant and imprison people at Tintagel and in "the Valley of False Trickery".[111]. [4][58][96] Arthur is last seen in Morgan's lap, with her lament of sorrow referring to him as her "dear brother" (dere brothir), as they disappear from the work's narrative together. In his 14th-century Catalan poem La faula, Guillem de Torroella claims to have himself having visited the Enchanted Isle and met Arthur who has been brought back to life by the fay Morgan (Morgan la feya, Morguan la fea)[28] and they both are now forever young due to the power of the Holy Grail. The earliest mention of Morgan as Yvain's mother is found in Tyolet, an early 13th-century Breton lai.[40]. Driven by earthy guitar lines and designed with a few breaks, it was more variable than "To Isengard". She also otherwise torments Guinevere, causing her great distress and making her miserable until the Lady of the Lake gives her a ring that protects her from Morgan's power. Her character is seldom elaborated beyond her role as a fay (fairy) or magician in earlier works where she is featured. [9][10][11][12] Further inspiration for her character likely came from Welsh folklore and medieval Irish literature and hagiography. The Italian Morgana appears in a number of cantari poems of the 14th to 15th century. If you suspect that I want to call it "terrible", then you are absolutely right. Persson, Heder and Sderlind kept the name. [115] In the 14th-century Ogier le Danois, a prose redaction of the epic poem Roman d'Ogier, she (Morgue la Fe) lives in her palace in Avalon together with Arthur and Oberon, who both seem to be her brothers. Not that "S.D." Variant spellings of the name in the manuscripts include: Lot, Ferdinand, "Morgue la Fe et Morgan-Tud", in: Briggs, Katharine (1978). Morgana Lefay proves that the evolution of Heavy Metal didn't stop in the mid-eighties. In some of the later works, she is also subversively working to take over Arthur's throne through her mostly harmful magic and scheming, including manipulating men. () This earth never acquired a better mistress of magic arts than Feimurgn. In one variation, she then takes possession of the lance that was used to kill Huneson, enchants it, and sends it to King Mark of Cornwall, her possible lover,[79] who years later uses it to slay Tristan. The album starts out in great fashion with the title track. She appears as a crow on the battlefield in legends. Morgan le Fay, called Morgana, is a sympathetic character in Firelord by Parke Godwin, where she is presented as a fiery leader of the wild Prydn Pictish people who live north of Hadrian's Wall, and Mordred is her illigimate son. A big contribution for this occurrence has the album reviewed here as it provides a wider palette for the audience to choose from, a diverse opus which pulled back the diehard fans a bit. United States. [47][48] There, Morgan is called to treat Edern ap Nudd, Knight of the Sparrowhawk, following the latter's defeat at the hands of his adversary Geraint, and is later called on by Arthur to treat Geraint himself. [2] Aggravating this situation, the song itself did not surpass an undistinguished level. () Mighty was she in magic and her life was greatly in defiance of God, for at her command were the birds in the wild, in the woods and fields, and what seems to me greatest, those evil spirits, that are called devils they were all at her command. [84] On one occasion, she lets the captive Lancelot go to rescue Gawain when he promises to come back (but also keeping him the company of "the most beautiful of her maidens" to do "whatever she could to entice him"), and he keeps his word and does return; she eventually releases him altogether after over a year, when his health falters and he is near death. "[90] Up until the war between Arthur and Lancelot and the rebellion of Mordred, it is Morgan who remains the main and constant source of direct and indirect threat to the realm. [28][40] Jean Markale further identified a Morganian figure in Wolfram's ambiguous character of Cundrie the Sorceress (later better known as Kundry) through her plot function as mistress of illusions in an enchanted fairy garden. [123][124] The Castilian Arderique begins where the Mort Artu ends, that is with the departure and disappearance of Arthur and his sister Morgaina, described there as a fairy and a necromancer, after the battle with Mordred (Mordered). Notably, her modern character is frequently being conflated with her sister's as mother of Arthur's son and nemesis Mordred, the status that Morgan herself has never had in medieval legend. Artists Morgana Lefay Morgana Lefay Share Tweet STYLE: Heavy Metal, Power Metal, Progressive Metal, Thrash Metal ORIGIN: Sweden FORMED: 1986 LABEL: Black Marks Records MEMBERS: Charles Rytknen - Vocals Tony Eriksson - Guitars Peter Grehn - Guitars & Backing vocals Fredrik Lundberg - Bass & Backing vocals Pelle kerlind - Drums & Backing vocals They independently released their first album, Symphony of the Damned, in 1990. Her common image is now a malicious and cruel sorceress, the source of many intrigues at the royal court of Arthur and elsewhere. Furthermore, the historical Urien had a treacherous ally named Morcant Bulc who plotted to assassinate him, much as Morgan attempts to kill Urien. Charlotte Spivack, Roberta Lynne Staples. "[13][77] Morgan is emphasised as promiscuous, even more than her sister Morgause, as she is "so lustful and wanton that a looser [noble]woman could not have been found. Morgana Lefay surely did not disappoint their target group. [40] The three enchantresses "knew so much about magic, they enjoyed one another's company and always rode together and ate and drank together." It's catchy yet fits in with the rest of the album. Both songs work toward their climaxes very well. Issue #5 - Black Mark 1995 2.65 4 Dynamit Volume 4 1996 3.00 1 Stahlmaster 2 1997 3.34 11 A Black Mark Tribute 1997 3.08 73 3 A Tribute to ABBA 2001 3.78 7 The Metal Years: Power Metal 2002 3.03 3 Let the Hammer Fall Vol. The opening title track is probably the most similar to Morgana Lefay's older material, but "Hollow" is probably the most representative of the album as a whole. Morgan le Fay, fairy enchantress of Arthurian legend and romance. This is probably the heaviest song on here, although it gets competition from the deliciously thrashy "The Edge," which has great intro riff-set, leading to an absolutely killer main riff. Morgan le Fay (/mrn l fe/, meaning 'Morgan the Fairy'), alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings (Welsh: Morgn y Dylwythen Deg, Cornish: Morgen an Spyrys), is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. It is named after Morgan Le Fay of the Arthurian cycle. "I'm starting a new Twitch show called Power Metal Fantasy, which will be on every Saturday 9 PM - 1 AM Eastern Time at twitch.tv/mickkarnage \m/ For more info, check out this video:" In Malory's backstory, Morgan has studied astrology as well as nigremancie (which might actually mean black magic in general rather than "necromancy"[94]) in the nunnery where she was raised, before being married to Urien (Uriens) as a young teenager; in this narrative she did not study with Merlin. She appears in a variety of roles, generally appearing in works related to the cycles of Arthur (the Matter of Britain) or Charlemagne (the Matter of France). The Middle Welsh Arthurian tale Geraint son of Erbin, either based on Chrtien's Erec and Enide or derived from a common source, mentions King Arthur's chief physician named Morgan Tud. 1494). However, fans of true metal may add ten or even fifteen percentage points. You see, this is Morgana Lefay's first album since 1999, and the first to feature mainstays Charles Rytknen and Tony Eriksson since 1996. And although there is plenty of Thrash in the songs, the band never forgets to add melody to their sound. Maleficium Morgana Lefay Type: Full-length Release date: November 5th, 1996 Catalog ID: BMCD 86 Label: Black Mark Production Format: CD Reviews: 4 reviews (avg. It lacked of compactness and was simply too long. Many bands these days are writing concept albums, and the majority of them are either uninteresting or else the quality of the song is set aside with a bunch of pointless interludes and other self-indulgent bullshit. Morgana Lefay (known as Damage from 1986 until 1989) is a Swedish power[1]/thrash metal band from Bollns. There, Morgan masters the seven arts and begins her study of magic, going on to specialise in astronomie (astronomy and astrology) and healing;[57][67] the Prose Merlin describes her as "wonderfully adept" and "working hard all the time. Morgana Lefay - Symphony of the Damned - Encyclopaedia Metallum: The Metal Archives Symphony of the Damned Morgana Lefay Type: Full-length Release date: March 2nd, 1990 Catalog ID: N/A Version desc. That's not the case of this album, luckily, being thicker and heavier than any other Morgana release, still retaining the psychological and mystical themes, plus the occasional Tolkien references. Morgana Lefay have a certain style in writing their metal ballads where one can instantly recognize them, for better or for worse. This version of Morgan (usually named Morgane or Morgain) first appears in the few surviving verses of the Old French poem Merlin, which later served as the original source for the Vulgate Cycle and consequently also the Post-Vulgate Cycle. Type: Demo Release date: 1992 Catalog ID: N/A Label: Independent Format: Cassette Reviews: None yet After a period of being largely absent from contemporary culture, Morgan's character again rose to prominence in the 20th and 21st centuries, appearing in a wide variety of roles and portrayals. Such is the case when Morgan sends Arthur a supposed offering of peace in the form of a rich mantle cloak; Morgan's messenger maiden is made put on the cursed gift and it burns her to cinders. [128] In the rondalla ('folk tale' in Catalan) La fada Morgana, the protagonist Joana ends up marrying the fairy queen Morgana's son named Beuteusell after passing his mother's test with his help. Morgan is widely feared and hated, so much that "many knights wished her burnt." [1] Sklar, Elizabeth S., in, Last edited on 30 November 2022, at 20:59, appearing in a wide variety of roles and portrayals, The Story of the Champions of the Round Table, The Story of the Grail and the Passing of King Arthur, Les grandes chroniques du grand et norme gant Gargantua et il publie Pantagruel, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur", "From The Lady to The Tramp: The Decline of Morgan le Fay in Medieval Romance", "Objections to the Celtic origin of the "Matire de Bretagne", The Company of Camelot: Arthurian Characters in Romance and Fantasy, "The Enchantress, the Knight and the Cleric: Authorial Surrogates in Arthurian Romance', "Two Accounts of the Exhumation of Arthur's Body: Gerald of Wales", "Animal Encounters: Contacts and Concepts in Medieval Britain", "The Role of Women in the Arthurian Material", "The Vulgate Version of the Arthurian Romances (Volume 1)", "The Tournament at Logres; King Lot and his Sons; and Morgan and Gyomar", "The Vulgate Version of the Arthurian Romances (Volume 6)", "Accolon of Gaul | Robbins Library Digital Projects", "An Exploration of the Evolution of the Arthurian Myth", "Morgan le Fay and the fairy mound in 'Sir Gawain and the Green Knight', "Sovereign Fantasies: Arthurian Romance and the Making of Britain", "The Obstacle and the Way: Women and Gender in Sir Gawain and the Green Knight", "Gateway to the Classics: The Story of Roland by James Baldwin", "The Realm of Prester John by Robert Silverberg, 1972 | Online Research Library", "Popular Epics of the Middle Ages of the Norse-German and Carlovingian Cycles", "Bramimonda i els cavallers carolingis (778)", "El tractament de la dona com a pensadora en l Aplec de rondaies mallorquines d Antoni M. Alcover", "Il manoscritto quattrocentesco della " Ponzela Gaia ", "La Tavola Ritonda: Magic and the Supernatural", "FOSSA, Evangelista in "Dizionario Biografico", "THE MAGICAL MANTLE, THE DRINKING HORN AND THE CHASTITY TEST: A STUDY OF A "TALE" IN ARTHURIAN CELTIC LITERATURE", https://en.wikipedia.org/w/index.php?title=Morgan_le_Fay&oldid=1124848991, Human, fairy or goddess (depending on the source), This page was last edited on 30 November 2022, at 20:59. [73] To avenge Accolon's death, which caused her great sorrow, Morgan again steals the scabbard from the sleeping king. Morgana Lefay - Maleficium - YouTube Maleficium the best song ever!! [6] Integrating her fully into the Arthurian world, they also portray Morgan's ways and deeds as being much more sinister and aggressive than they are in Geoffrey or Chrtien, showing her undergoing a series of transformations in the process of becoming a chaotic counter-heroine. [28][106][107] Morgan is named Dioneta in the 14th-century Welsh fragment known as The Birth of Arthur, where she is a sister of both Gwyar (Morgause) and Gwalchmei (Gawain), as well as of the other sisters Gracia and Graeria, and is sent off by Uther to Avallach (Avalon). We print the highest quality morgana lefay t-shirts on the internet Hi there! The third track was the first number that revealed the strengths of the band. Purportedly an account of the life of Merlin, it elaborates some episodes from Geoffrey's more famous earlier work, Historia Regum Britanniae (1136). [28][29][81] In the Post-Vulgate version of Queste del Saint Graal, Lancelot has a vision of Hell where Morgan still will be able to control demons even in afterlife as they torture Guinevere. skupiny Savatage, Crimson Glory, Queensrche, Uriah Heep, Black Sabbath, Sanctuary, Pantera. After releasing three albums, they got back the name Morgana Lefay when they returned to Black Mark Records. Morgana Lefay had a very distinctive sound. [71] Morgan then either undertakes or continues her studies of dark magic under Merlin, enamored for her, the details of which vary widely depending on the telling. [108] In Thomas III of Saluzzo's Le Chevalier Errant, the fairy Morgan (la fe Morgane) holds the eponymous Wandering Knight captive inside a magnificent castle in her forest realm Paenie ('Pagania'), until messengers from her brother Arthur arrive with a request to lift her enchantment and let him go, to which she agrees. Authors of the potential danger of uncontrolled female power simply too long to their.. It lacked of compactness and was simply too long - YouTube Maleficium the best song ever! the help his. 'S catchy yet fits in with the title track action fantasy film, Excalibur `` knights. Uriah Heep, Black Sabbath, Sanctuary, Pantera first among them is more skilled in songs... 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